“The face photographed at different exposure values is reproduced in black and white, additionally alienated through a slight enlargement whose effect, however, is like a transformation. Dürer dreamed of this: 'In his Four Books on Human Proportion and through the idea that you can evolve from one face to the next by geometrical transformation' (3). The deduced face, the fantasy of deduction – this history still remains to be written. It leads us to the ideal of the object without any qualities and to Musil's conception of the 'mathematical face' (4). So if Georgia talks of the 'face of the artist as such', if she strikes such abstract chords, she places herself into the horizon of this outlined tradition. What does this mean now?"
Quote: Ramin Schor, from "Was ist ein Gesicht?" catalogue "45 Künstler gründen eine Baumfabrik", 1997